"Time of the Season" is a song by the British rock band the Zombies, featured on their 1968 album Odessey and Oracle. It was written by keyboardist Rod Argent and recorded at Abbey Road Studios (then known as EMI Studios) in September 1967. Over a year after its original release, the track became a surprise hit in the United States, rising to number three on the Billboard Hot 100 and number one on the Cashbox chart. It has become one of the Zombies' most popular and recognizable songs, and an iconic hit of 1960s psychedelia.
Song information
Several other songs from the Zombies' album Odessey and Oracle were released as singles prior to "Time of the Season". Columbia Records supported the album and its singles at the urging of new A&R representative Al Kooper. One of the singles issued on Columbia's Date label was the noncommercial-sounding "Butcher's Tale", which Columbia thought might catch on as an antiwar statement, at the time a popular trend. "Time of the Season" was released only at Kooper's urging, initially coupled with its original UK B-side, "I'll Call You Mine", without success. After previous singles flopped, Date re-released "Time of the Season" backed with another UK flop single, "Friends of Mine", and it made its breakthrough in early 1969, over a year after the band split up. It reached number three on the BillboardHot 100 in March,[6] topped the Cashbox chart,[7] and reached number one in Canada. It did not chart in the band's native Britain, despite being re-released twice, but it later found fame there with Rod Argent saying that it became "a classic in the UK, but it's never been a hit."[8] In mid-1969, it peaked at number two on the South African hit parade.
In 1998, Big Beat Records released a CD reissue of Odessey and Oracle containing both the original stereo and monoaural versions of "Time of the Season". It also featured a newly remixed alternate version containing instrumental backing underneath the vocals during the entire chorus. These instrumental backings had been mixed out on the original 1968 stereo and mono versions to create a cappella vocal sections. The outro is also different, with a different organ solo featuring only one organ, instead of the two interleaved organs in the original mix.
Milwaukee's Third Coast Daily.com called the song "something of a counterculture anthem".[9]
