Becker and Fagen wrote an early version of "Josie" well before the recordings for Aja took place.[3] While most of the songs on the album fuse jazz with rock, AllMusic critic Stewart Mason describes "Josie" as the album's "most conventional rocker."[4] Nonetheless "Josie" incorporates many jazz chords.[5] Don Breithaupt sees an influence from the Delta blues, particularly in the "stark open fifths and lyric-driven rhythm," but Breithaupt also notes that it incorporates "exotic open chords derived from the parallel Phrygian scale."[6]Rolling Stone critic Michael Duffy describes it as having "tight, modal tunes with good hooks in the choruses, solid beats with intricate counter rhythms and brilliantly concise guitar solos" as well as a complex horn chart and "schmaltzy" L.A. jazz riffs.[7] Mason praises the song's "sly irony and danceable R&B groove."[4] J.J. Syrja notes that the song even echoes disco, but doesn't "fall victim" to it.[8] Music reviewer and YouTuberRick Beato describes the unique and complex beginning of the song as "The Weirdest Pop Song Intro of All Time" and continues in his in depth look at the song to praise the individual contributions of the musicians playing on the piece.[9]
Becker plays a guitar solo on the song, one of the few on Aja.[4] Steely Dan biographer Brian Sweet particularly praised his solo, calling it "a real stormer."[10] Fagen sings the lead vocals.[7] The other musicians on the song include Chuck Rainey on bass guitar, Victor Feldman on electric piano and Larry Carlton and Dean Parks on guitar.[6] The drummer is Jim Keltner, whom critic Victor Aaron particularly praises for a fill that restarts the song near the end after a brief pause.[5][3]
Lyrics and reception
Billboard described "Josie" as a "rhythmic rocker" and praised its "outstanding vocals," "funky, steady beat" and "wry lyrics."[11]Cash Box said it has a "clean crystalline rhythm and lead lines," "understated yet invigorating rhythm guitar funk," and a "clever 'up' lyric," among other virtues.[12]Record World said that "The opening guitar figure is an eerie hook in itself, while the balance of the song blends pop and jazz in fine fashion."[13]Seguin Gazette-Enterprise reviewer J. J. Syrja describes the song as "a tasty ditty about a community girl in the truest sense of the word."[8] "The lyrics describe the boys of the neighborhood celebrating the return of a fun-loving girl named Josie who may have a shady past and anticipating the debauchery that may ensue.[4][5][7][3] Sweet suggests that she may be returning from prison.[10]
Josie was released as the third single from Aja, following "Peg" and "Deacon Blues."[6][10] A non-Aja single, "FM (No Static at All)," was released between "Deacon Blues" and "Josie."[6] Although the earlier two Aja singles reached the Top 20, "Josie" fell a little short of that, peaking at number 26 on the Billboard Hot 100.[10][15] It also reached number 44 on the BillboardAdult Contemporary chart.[16]